Behind the Image - Lisbeth Splawn

We recently had the pleasure of working with Model and Actress Lisbeth Splawn. The goal was to create moody, vintage portraits with a Dan Winters meets Aaron Anderson look. If you aren't familiar with Dan Winters work I would highly recommend you take a look at his website: www.danwintersphoto.com
 

One of the great and unique parts of this shoot is the DIY aspect. Both the background and table were made specifically for this shoot, and I'll talk a little bit about how it's done in the video. Check out the videos below and see how it's made, then keep scrolling to see the final images from this shoot! 

Thank you guys for following and if you have any questions don't hesitate to shoot me a message...until next time, be awesome!

Behind the Image - Vintage Hotel

Hello blog follower people! I am starting a new series of videos that will be combined with blog posts called "Behind the Image". My goal with these is to break down recent images we've created and go over lighting, gear, etc so you know how we did it. This should be an on going series in addition to the BTS stuff we do for our shoots, a little something extra for you :)

The first shoot I want to showcase was a personal project we just wrapped up in a vintage hotel room. My goal, was to create moody cinematic portraits that had an ambiguous story of loneliness and thought. Check out the videos below to get the inside scoop and then keep scrolling to see our final images! 

Shoot me a message if you have questions and watch for the next episode of Behind the Image coming soon! Until next time...be awesome!

New Tutorial Series!

I am happy to announce the launch of the first video in the beginning of a series on composite photography! I am starting with the basic tools that you will need in Photoshop and in the studio, and then taking you all the way through an actual shoot that we'll turn into a composite. They'll be in bite size pieces that you can use independently, but you will also be able to watch them in order to learn each step of the process. 

Without further delay here is the first video on the pen tool and creating paths in Photoshop!

If you have any questions just shoot them over in the comment section, either here or on YouTube and I will do my best to get to them! These will be launching over the next couple of months, and our next video will talk about selections and refining masks. Stay tuned go be awesome!

Periphery

Greetings Everyone! Things have been so crazy that I haven't had a chance to update the blog with all the happenings! For starters we now have YouTube channel! This channel will be where all of the new tutorials and educational content live. I will have them on this site as well, but make sure click below to see the new channel and subscribe:

Click Here to See Aaron Anderson Photo on YouTube
 

Now that you're subscribed on YouTube (wink wink) I wanted to share a video from there that I just posted. One of the major things that we've been working on is the opening of our new exhibit Periphery,  located at the Taylor Museum in the Fine Arts Center. This exhibit features 10 portraits of people experiencing homelessness in Colorado Springs at the time of the shoot. Our exhibit will be displayed until Sept '16, so if you are in the area please stop by and have a look! (http://www.csfineartscenter.org/exhibits/periphery/) We partnered with the Springs Rescue Mission for this project and you can read more about the experience through a post I wrote for their blog here:

Click Here to Read Humanizing the Homeless

Once you've finished reading that I would encourage you to watch the video below to see footage from the Grand Opening and hear a little more about the project itself. You'll also get a sneak peak at the images, so make sure you watch the whole thing ;)

I hope that all of you are inspired to use your skills as an artist to impact your community, remember, you can make a difference...one person at a time. Until next time - BE AWESOME!

Social Media...follow up.

I wanted to take a quick second to follow up on my previous blog post about social media. There were two things that I forgot that I wanted to mention as food for thought.

One of the major things is the idea of being featured on social media. This can be a huge way to not only gain followers but gain exposure to the type of people that can and will hire you. What do I mean by featured? Well I'm glad you asked! There are many accounts on pretty much every social media channel, but especially for me this applies to Instagram and Twitter, that have tens of thousands (if not hundreds of thousands) of followers that simply exist to feature other peoples work. Why not yours?! It will take a little while to find these accounts, but with a little bit of research you can compile a list that would be likely to feature you. Once you've found them start tagging them! Depending on the account you will either use a hashtag or tag them (i.e. #aaronandersonphoto or @aaronandersonphoto) and they can then see your work. Sometimes the accounts will ask you to direct message them with work, so just do whatever method they prefer.

A quick note on this...MAKE SURE YOU PICK ACCOUNTS THAT ARE RELEVANT! This will be a total waste of time for both you and them if you start sending your super conceptual poodle portraits to a surfing feature account. So make sure you do your homework before you hashtag. If you're looking for a place to get started just head over and Google "Top Instagram Feature Accounts", it'll get you heading in the right direction :)

Along the lines of this same idea is being featured by manufacturers or companies that are relevant to you. If you're an artist who makes your brushes? If you're a photographer who makes your camera, lenses, lighting, backgrounds, etc.? If you're a wedding photographer who makes the dress? If you're a...and the ideas go on and on. This type of exposure, if you can be featured, is extremely helpful and can not only aid in finding clients but funding your habit. Why not ask to get one of the latest pencils or paintbrushes to test out and feature on your blog? The worst they can say is no!

Ok, so my second thought, and this one is more personal than anything, is that I have a day when I don't post anything at all. In fact I try not to even look at social media on that day. I have a lot of reasons why I do this, the biggest one being quality time with my family, but there are many many other sources that say this is very healthy for you, even necessary. I am not the first person with the idea that social media is an emotional roller coaster, all the likes, the follows, the comments...it's a lot to take in and I would say addictive. It is important as an artist, and I would say as a human being, not to find your identity in this. You love to create, to make beautiful things, don't let people not liking your images/art stop you from doing that. On this social media free day spend it being inspired, and with people you love. Remember what it means to exist and take in beauty instead of thinking about how many people will like what you created. If you'd like more ideas on this you can check out another blog I wrote about being a Dad in our industry, which is not only about my journey but about time management...find it here: http://www.aaronandersonphoto.com/blog/being-a-dad

That's all for today! Below you'll see a screenshot of one of images that was featured on @downhilladdiction...just so you can see that this actually works! Until next time...be awesome!

 

 

Ideas on Social Media

I recently had a conversation with a friend about social media, in fact it wasn't the first time I've had this conversation in recent history, so I thought it might be of use to talk about some of the things I am doing to grow, maintain and use the following I have. Let me be the first to say these probably aren't original ideas, but they are compiled ideas that seem to have worked for me. I'll try to keep it brief and useful!

1. Brand yourself - If you went to Art School you probably had this rammed down your throat, like I did. If you were anything like me you said it was stupid and a that you could do ANYTHING! Well, turns out I was wrong. People (especially agencies and art directors) want to see who you are, and that's really hard to do if you don't have consistent branding. All I can say is find your style, your look, your feel, whatever you want to call it, and hang on like your life depended on it! I should know it's you, they should know it's you...we should all know it's you, without having to check the name.

2. Post Consistently - I have found that posting between 7 am and 8 am every day is the best time for me. If I miss that window then I will typically wait until the evening to post, all those tired people getting off work like to scroll through an endless sea of photos...it reminds them of the desk job they left. Please notice that I said EVERY day, and yes it's a lot of work. Sure, I will miss a day from time to time, but for the most part I wake up and post first thing. (I woke up at 4:30 today and I started getting my posts ready, no joke.) You might be saying "What the heck am I supposed to post every day?!" That's kind of dependent on your brand and what you do, but there are a million ways to post stuff, like BTS, Gif's, Videos, your work or work in progress...the list goes on and on, and yes you will need to be creative. I find that I am typically either creating work, planning work, shooting work or retouching work...all of those can be posted with an image. When I am planning work I typically will find inspiration to use in the mood board, this can also be posted (see point #6) Sometimes you might even throw a selfie in there...or not.

3. Have a Purpose - I think the black hole of social media happens when you don't know why you're there, and I'll give you a hint, it isn't to waste time and avoid work you should be doing. Social media is a tool that should be used to gain exposure to the people you want to work for and with. If you really think about it, we have access to an audience that the photographers before us never had, EVERYONE! You used to have to pay thousands of dollars to put your pictures in print so that Art Directors and Agencies would see your work, now you can send them a tweet for free. It's said that it takes more than 7 times having your face/work in front of someone for them to have a chance of remembering you, today it's way way easier, but I would say you need to be in front of them even more than 7 times because of all the noise. 

4. Know your audience - This point is definitely not original, but it ties directly into the point above. One of the most depressing thoughts is to send out a tweet, instagram, etc and just be hoping that someone special might see it. I spend time researching and following potential clients, even creating work just to send their way. It's a lot of work, it takes a lot of time, but it's worth it. One of the most pertinent sites for this is Linked In, and I will give you a cheat for that in a minute.

5. Don't buy them, earn them - I am not a fan of the whole "buying followers" idea, and while I do use Crowd Fire to control who I am following (which is a paid service), I also use it to follow specific people and the people who are influenced by them. Think about the people you want to see your work and who they are following, the photographers you want to be like, the agencies you want to work with, and start to grow your list. Then make sure you are posting things that are relevant and they will notice.

6. Be Social - I know this is cliche, but you should be engaged with the people that follow you. They took the time to follow you and look at your work, and it isn't that hard to say thank you. Also, and this is especially for Twitter and Facebook, don't always just post your stuff. If you see things that are helpful, especially pertaining to your audience, then SHARE it! Don't be afraid to share awesome work, it all comes back around.  

This last part isn't a point, but it has been one of the most useful tricks I learned as a photographer. This is specifically for Linked In, which I strongly believe every serious photographer should be active on...at least for the moment. When I started Linked In it seemed impossible to reach out to the people I really wanted to connect with, that is without paying gobs of money every month to send invites and e-mails. So here is what I did. Start connecting with photographers who work with the companies you want to work with, and yes you will need to research that. Photographers tend to be much more welcoming then many other professionals when you are first getting started, especially if you have posted some rad work. Once you've connected with those people then you have access to the people they are connected with, and while it's never a guarantee, it will most definitely start helping you to connect with and network inside of the companies you want to work for. I have grown my Linked In network to thousands of industry people, and yes it has turned into clients. I have found that the mobile app is a little more friendly when connecting with new people...so you might want to try that, wink wink.

Ok, so those are 6 things and a bonus that can help get things going. Just so you know, it takes time...or at least it did for me. Maybe you are a social media phenomenon and I would love to hear if you have any radical tricks that have worked for you!

Until next time...be awesome!

P.S. The image below is of actual human interaction...and yes, it can be used on social media.

Dragon Alliance

Hello Everyone! I apologize for the gap in bloggin, it's been a crazy couple of months. In fact I am taking a break from retouching over 800 images just to write this :)

Recently my images for the Dragon Alliance Floatable sunglasses came out, and I wanted to give you a little behind the scenes look at how those were created. When the client came to me they wanted something that was epic and showed off the glasses, while implying that they floated (which they do and it's awesome!). We ended up shooting the glasses out of water so we could control the lighting and perspective more readily, and then shooting the water and glasses in the water separately to pull from for the final composite. All said and done this composite is well over 100 layers and was shot in the studio in pieces to create the exact shape and look that the client wanted.

Couple cool tricks for shooting this type of image in case you want to try something similar!

1. You can pick up a large fish tank at most pet stores for relatively cheap, no more than $50, so getting all the splashes and water images doesn't have to break the bank.

2. When you are making the splashes have your assistant use a squeegee on the inside of the tank, as they pull it across you get some great waves and the glass stays clean!

3. Make sure you light your background and the background is white! For these images we had a white seamless lit from behind to reduce any kind of lens flare.

4. Use Hi-speed flash or hi-speed sync. To really freeze water you need to have hi-speed flash (meaning the flash duration is short). You can look at the Elinchrom ELB 400 with HS heads or Action heads. The HS heads are hi-speed sync and the Action heads have a very short flash duration. I know there are other brands out there that can do this as well so start your research!

5. Plan! I've said it before and I'll say it again, Plan! Make sure you have a shot list for a project like this. You want to know what you are going to need in post production so you don't have to go back to the studio and do this huge set up more than once! Make sure you shoot WAY MORE than you think you'll need, I mean we're not shooting on film anymore :)

Alright, enough typing, let's look at the final images. Below is a simplified animation of how the file was made and the final images with the graphics from Dragon. You can also head over to their web page: www.dragonalliance.com to see it in real life :)

Until Next time...be awesome!

Dragon Alliance Final
Dragon Alliance Roadblock